the galley - PRESS KIT
After being made redundant from her job at the coastal arcades, Helen commits a victimless crime to pay for dinner…
The coast of Northern Ireland. Forever a spot for happy holiday goers sinks deeper into the hands of gentrification. The workers of Crillis Arcade find this out the hard way when their workplace is sold off for redevelopment. This effects nobody greater than Helen (Bríd Brennan), a down on her luck woman living in a caravan along the coastline. When finding herself short on cash at the local chippy, Helen commits a victimless crime to pay for dinner.
The Galley is a heartfelt, emotional, Irish drama shot uncompromisingly on wides with interludes of Hi8 and Archive Footage.
Through quiet contemplation and heartfelt humour the North Coast is examined amidst the fears and uncertainties of the modern world, steeped in the past and looking to the future.
Title: The Galley
Genre: Drama
Country: Ireland
Language: English
Duration:13 mins 45 secs
Aspect Ratio: 1:66:1
Frame Rate: 24fps
Shooting Format: Digital: Sony VENICE 2 6K Full-Frame Cinema Camera. Hi-8: Sony CCD-TR511E.
Exhibition Format: 6K Digital DCP
Sound: 5.1 Surround Sound Mix
Bríd Brennan as Helen
Seán T. Ó Meallaigh as Ciarán
Brendan Gibson as Birdy
Aoife Riddell as Jackie
Directed by
Thomas Bennett
A multidisciplinary British/Irish artist focused on Hi-8 tape and Super 8, Thomas launched his directorial filmography in 2021 at Raindance Film Festival with ‘The Seven Signs’.
In 2024 Thomas released 'In Wake of John Doyle', a co-directed/wrote/produced piece alongside creative partner and producer, Niall McCloskey. The short endured a successful festival run; going on to screen at DIFF (Dublin International Film Festival) 2025, Belfast Film Festival 2024, Off-Screen Film Festival 2025 and was long-listed for The British Short Film Awards 2024.
Follow-up short ‘Gabriel's Trumpet’ has equally endured a successful festival stint with selections in competition at Belfast Film Festival 2025, Irish Film Festival London 2025 and more.
Director statement
After only a single short film away from it, co-writer/producer Niall and I have ventured back to one of our favourite untapped goldmines of story-telling: the North Coast of Ireland. Amongst it’s cliffs and chippies, we crafted our latest nautical short film.
The Galley is a small-scale, modern day tale with roots deep and complex. The beast of gentrification, unemployment and economic instability have stalked Irish coastlines for longer than I have walked this earth. In the current Irish and global climate, they remain as prevalent as ever.
When landing on a narrative that looked to these issues, it was a quick realisation that an individual, human-led story was the only route to take to explore these issues. Helen is a character developed out of the distinct identity of the people living on the North Coast today. Her personality as a tough, well-loved stalwart of the town against her emotionally ambiguous boss Ciarán, became the perfect springboard to investigate the hard economic issues faced on the coast without falling into a tale of only bleakness and misery.
Clearly, the answers to the problems faced by those living on the coast are uncertain and multi-faceted, but the hardened resolve of the community that exists there will not be extinguished without a fight.
Helen certainly understands this and the incredible Bríd Brennan perfectly encapsulated this. Working with Bríd, Seán, Brendan and Aoife, we dove headfirst into their small interplay of friend-college-boss dynamics, the wide shooting style giving space to these performances. Through both smaller nuances of character and a focus on physical tempo, we sought to build a short film that tackles the pressures of their world whilst retaining a believable human core. The story truly rests on their performances.
The Galley is a turning point for Niall and I in our collaborative output. A milestone in various aspects, but most clearly, a heavy shift in the primary shooting format. With previous work being shot entirely on Hi8, digital has appeared in daunting, terabyte-hungry, time-demanding force. The Galley is our first leap into digital and because of this, I’ve had the opportunity to put down the camera and focus entirely on directing. It has been a joy to sit down with our DoP Jennifer Atcheson and structure beat for beat the what and how of our stripped back shooting style.
Injecting these sculpted digital wides with our well-established use of Hi8 & archive footage has taken our filmmaking into fascinating new directions.
For the most part, we filmed over two wet and wild days across the North Coast of Ireland. For any readers who’ve been to the North Coast past the month of October, this will not come as a surprise. Our cast and crew pulled a blinder of a shoot.
It's a pleasure to get this piece out into the world and in front of audiences.
- Thomas Bennett
(Director - The Galley)
~ MEET (SOME) OF THE TEAM ~
Producer Statement
The Galley has been a deeply personal project from the first day of myself and Tom putting pen to paper. Gentrification feels rife in many towns along Irelands coast, the world is constantly changing around us, and coastal towns can feel a hefty brunt of this change. Throughout The Galley we mean to hold a mirror up to this change through our use of mixing digital 6K footage and Hi8 interludes.
Throughout Helens narrative she is faced with losing her job, what would be a disaster at the best of times although for Helen, like many of us, this is hardly the best of times; cost of living is up, rent is up, hell even the price of a chippie is up! We feel that following what happens in the wake of these changes to be a fascinating story and Helen to be a joyous character to experience it through. We aim to never villanize, victimise or venomise this change. It is only natural that people, places and businesses move on, that times change and so must we.
The North Coast is a critical player in this piece: it is the canvas through which our story is painted on. Every frame drinks in the beauty of the old and new of this wonderful place. However, what makes this piece personal to me is that we shot across my hometown of Portrush. This is something I take great pride in having done. The towns of the North Coast had more influence on the narrative than nearly anything else and for better or worse, without them being how they are The Galley would not exist in the form that it does. Throughout production I have had time to reflect on home as I never have, having explored every nook and cranny of the town to find the locations for our story: from the coastline to the arcades to the chippy. We hope this is a story whose sense of place will resonate not only to residents and those familiar with the town but to any who have a passing interest in the Irish coastline from holidays past.
Beyond the place, this is a short made on the backs of incredible Irish people. I am beyond proud of the hard work of our wonderful diverse cast and crew. It was a privilege to work again with amazing local crew, all of whom we’ve worked with in previous productions. Simply put, the crew brought a sense of unstoppable teamwork to this project.
It was a career highlight to work with a cast of such industry renown from prep to post and beyond. There is no other way to say it but Bríd Brennan and Seán T. Ó Meallaigh are powerhouse performers, bringing an entirely new sense of depth to the characters we had on the page giving them a new dimension of life on-screen. It has been nothing short of a privilege to have them involved so intrinsically throughout The Galley. Brendan Gibson and newcomer Aoife Riddell bring a sense of grounded, calm sweetness that locks our narrative in the floors of the chippies, halls of the arcades and the salty sea air of the marina, they show the normality of the people around Helen and Ciarán, the normality of those living day to day around the unstoppable machine of gentrification.
The Galley is a project made from a place of love of where we’ve come from, deep passion for the medium of film and reflection of looking at the past while sailing forward to the future. We hope that you find the same and more from our tale of coastal resilience.
Niall McCloskey (Producer - The Galley)
A Standing Stone Pictures film.
Directed by Thomas Bennett.
Produced by Niall McCloskey.
Executive Producer - Katie Ireland.
Starring
Bríd Brennan as Helen
Seán T. Ó Meallaigh as Ciarán
Brendan Gibson as Birdy
Aoife Riddell as Jackie
Post Production by Yellowmoon Post Production.
Digital Assembly – Stephanie McCutcheon
Post Production Coordinator – Anna Slaine
Assistant Post Production Coordinator - Caoli Maginess
Digital Footage Colourist – Mal Campbell
Online Editor – Eddie Quinn
Post Sound Tracklay – Simon Campbell
Post Sound Mixer – Feargus Magil
Featuring Music by Catriona Ní Ghribín and Eerie Wigs
Director of Photography - Jennifer Atcheson.
1st Assistant Director - Eoin Donnelly.
Costume Designer - Katie Ireland.
HMU Designer - Alana Fraser.
Production Designer - Aoife McGivern.
Gaffer - Peter Johnston.
Production Sound Mixer - Ethan Harlen.
Script Supervisor - Katie Goody.
1st AC - Jack Gourley.
Standby Props - Jenny Parkhill & Cormac Rae.
3rd Assistant Director - Sam Halleron.
Trainee Assistant Director - James Burns.
Boom Operator - Mercer Mcwilliam Hughes.
Location Manager - Caolán McNally.
Locations Assistant - Claudia J. Marshall.
Unit Stills - Nathan Magee.